PLACE VENDÔME COMPLICITÉ STARDUST COBALT LIMITED EDITION OF 13 PIECES

A FRIENDSHIP STORY

The design of the Place Vendôme Complicité is as much the result of a chance encounter, a coincidence (do they exist?), as it is a technical and artistic feat. Human encounters and the sharing of ideas lie at the heart of everything that Czapek does. As a fundamental value, the Maison defends the concept of établissage – the ecosystem of specialised workshops that once defined the entire watchmaking industry; this enables it to choose the most talented, independent specialists in each of the watchmaking crafts, bringing them together – as a conductor would unite musicians in an orchestra – to create exceptional timepieces. For Czapek, suppliers are also partners in creativity, and this turned out to be decisive in Place Vendôme Complicité ever becoming a reality.

IN THE QUEST FOR BEAUTY

The idea for the watch was born in 2018 as an evolution of Czapek’s renowned initial models, Quai des Bergues and Place Vendôme; the movement architecture of those pieces translates into a distinctive Czapek ‘face’ with sub-dials at the 7.30 and 4.30 positions on the dial.

While the technical aspect of the double escapement concept fully visible on the dial side and distributed around the centre was fascinating to Czapek’s CEO Xavier de Roquemaurel – and the group of ‘rare people’ who make up the Maison’s inner circle of collectors, investors and enthusiasts – it’s a guiding principle of Czapek that the beauty of a mechanism is as important as the beauty of the habillage – the dial, hands and case. Consequently, the architecture of every Czapek calibre is designed to unite the technical and aesthetic elements, serving and enhancing both in equal measure.

A KINETIC SCULPTURE

The starting point for Complicité was to respect the dial layout of the original Place Vendôme model, on which the two signature sub-dials form the base of a pyramid, completed by a third sub-dial at the apex. An initial sketch was then designed: the escapements would be at 7.30 and 4.30, and the differential that connects them would be at the 12.00 position, with both escapement trains embracing the centre.

“The real beauty of the idea lies in this way of expressing the double escapement, with the differential at 12 o’clock as a central element,” explains Xavier de Roquemaurel. “And by bringing the mechanism to the dial side and open-working everything, we would also have a beautiful kinetic sculpture.”

WATCHMAKING COMPLICITY

However, building such a movement was easier said than done; after a fruitless search for a watchmaking partner capable of reconciling the aesthetics with the technical demands, the idea was eventually put to one side. And then, one day, a story of family and friendship brought it back to life. Paul, one of Xavier’s children, was in the same school class in Neuchâtel as the daughter of watchmaker Bernhard Lederer, and a mutual friend introduced the two fathers. Their encounter led to a friendship, mutual exchanges of ideas, advice and help and, ultimately, resolved the problem, made the new double escapement architecture possible and gave birth to the watch. 

The name of the new timepiece, Place Vendôme Complicité alludes to this collaboration – as well as to the complicity between two independent escapements working in unison.